As the title suggests, this music is reserved for Tear Jerker moments such as The Reveal that the one who murdered Primrose's father is her childhood crush, Simeon, or when H'aanit finds her master turned to stone by Redeye. Sorrow is a funereal and very emotional piece of music for strings, with the added surprise of a low horn near the end.Determination, the theme for the first part of Primrose's final boss, a pivotal moment in Alfyn's chapter 4, and when H'aanit departs S'warkii to search for her master Z'aanta, sounds melancholy and hopeful at the same time.Wispermill is inhabited by a cult that follows the disciple of a dark god, Riverford is ruled by a despot who executes anyone for minor or imaginary offenses, Everhold is a grand fortress repurposed into an amphitheatre by a sociopathic criminal mastermind, and Northreach is a Wretched Hive where crime is allowed to run rampant. A very haunting and ominous song that perfectly conveys how dreary and unwelcoming each area is. Stolen Dreams, Lost Light, the initial town theme for Wispermill, Riverford, Everhold, and Northreach.GaMetal aka Johnny Atma shows up with his own amazing cover of "Daughter of the Dark God", with help of special guest Marie-Ève Ermel, who absolutely NAILS the soprano.The heavy metal cover of "Daughter of the Dark God" by FamilyJules really cranks it up into a head-banging, heart-pumping theme.The One They Call the Witch and Daughter of the Dark God, the two themes for the True Final Boss, are both incredibly powerful themes befitting the boss in question, with them both making good use of a One-Woman Wail.A perfect dramatic piece fitting of fighting the all-powerful gods themselves. They Who Govern Reason, the boss battle theme for the four gods guarding the advanced hero classes.A dark and foreboding theme that captures the power and menace of your final adversaries, yet has a hint of triumph and determination that reflects the drive to prevail. Battle at Journey's End, the boss battle theme for the Final Bosses of each route.
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